Two smiling children in police vests leap against a bright blue background.

Banksy, Jack and Jill, 2005

Framed size 24 × 32 × 1 1/2 61 × 81.3 × 3.8 with frame included

Artwork size21 × 29 × 1 in | 53.3 × 73.7 × 2.5 cm

EditionEdition of 150

Signature and impression Hand-signed by artist, Signed Edition with Pest Control. Numbered by the Artist.

US$75,000

Screen Print

Part of a

Be covered by the Lydling Fine Art Guarantee when you check out with us

Secure Checkout
Money-Back Guarantee
Authenticity Guarantee

Learn more

For eligible paid website purchases up to US$100,000 or equivalent. Terms, reporting windows and exclusions apply; direct payments and buyer-arranged shipping or collection are excluded.

If an artwork materially differs from its description, contact support. We will investigate and arrange an appropriate remedy, which may include a refund, repair or agreed partial refund.

Report transit damage within 7 days of delivery, with photographs of the artwork and packaging. Keep all packaging for investigation and agree any return with us first.

Contact support promptly if the artwork has not arrived by the agreed delivery date. We will investigate with the seller and carrier and arrange a remedy, including a refund where appropriate.

Use Contact with your order reference and supporting evidence. Report description issues within 7 days of delivery and authenticity concerns within 180 days. These reporting windows do not restrict statutory rights.

Read the full terms

End to End Gallery

Aventura

Materials: Screen Print
Size: 21 × 29 × 1 in | 53.3 × 73.7 × 2.5 cm
Framed Size: 24 × 32 × 1 1/2 in | 61 × 81.3 × 3.8 cm
Rarity: Limited edition
Medium: Print
Condition: Excellent
Signature: Hand-signed by artist, Signed Edition with Pest Control. Numbered by the Artist.
Certificate of authenticity: Included (issued by authorized authenticating body)

Have a question about this artwork?

Contact support about this artwork

About the artist

Banksy

British, b. 1974

Banksy is an anonymous British artist whose stencilled images first appeared on the walls of Bristol in the 1990s before spreading to London and to cities around the world. His work pairs a blunt graphic style with pointed commentary on war, policing, consumer culture, surveillance and the art market itself. The authenticated screenprints, released in signed and unsigned editions through Pictures on Walls and later…