Una mascota ratón y un payaso sostienen las manos de un niño central sobre un fondo color topo.

Banksy, Napalm, 2003

Tamaño de la obra 27 3/5 × 19 7/10 70 × 50

EdiciónEdición de 500

Firma e impresión No firmado

£23,500

Obra gráfica

Be covered by the Lydling Fine Art Guarantee when you check out with us

Secure Checkout
Money-Back Guarantee
Authenticity Guarantee

Learn more

For eligible paid website purchases up to US$100,000 or equivalent. Terms, reporting windows and exclusions apply; direct payments and buyer-arranged shipping or collection are excluded.

If an artwork materially differs from its description, contact support. We will investigate and arrange an appropriate remedy, which may include a refund, repair or agreed partial refund.

Report transit damage within 7 days of delivery, with photographs of the artwork and packaging. Keep all packaging for investigation and agree any return with us first.

Contact support promptly if the artwork has not arrived by the agreed delivery date. We will investigate with the seller and carrier and arrange a remedy, including a refund where appropriate.

Use Contact with your order reference and supporting evidence. Report description issues within 7 days of delivery and authenticity concerns within 180 days. These reporting windows do not restrict statutory rights.

Read the full terms

727Gallery

Materiales: Obra gráfica
Tamaño: 27 3/5 × 19 7/10 in | 70 × 50 cm
Rareza: Edición limitada
Técnica: Obra gráfica
Firma: No firmado
Certificado de autenticidad: Incluido (emitido por un organismo de autenticación autorizado)
Marco: No incluido
Editor: pictures and walls

¿Tiene alguna pregunta sobre esta obra?

Contactar con soporte sobre esta obra

About the artist

Banksy

Británico, n. 1974

Banksy es un artista británico anónimo cuyas imágenes con plantilla aparecieron por primera vez en las paredes de Bristol en la década de 1990 antes de extenderse a Londres y a ciudades de todo el mundo. Su obra combina un estilo gráfico directo con comentarios incisivos sobre la guerra, la vigilancia policial, la cultura de consumo, la vigilancia y el propio mercado del arte. Las…